Good morning sailors!
We have a major announcement to share with you, so I want everyone in the Operation Room now!

Swing Swing Submarine and Focus Home Interactive are pleased to announce their partnership for the release on consoles and PC of Seasons After Fall. That’s it: we will not sail alone anymore!

We first met Focus Home Interactive in 2010 during Game Connection Europe and we were already working on Seasons after Fall at this time. Let’s be honest, our prototype was not succesfully completed… You know what happened next: we had no money, no experience, so we froze the development of Seasons after Fall.
Then we released two games by ourselves: Blocks That Matter (2011) and Tetrobot and Co. (2013).

Last year, we decided it was time to come back to Seasons after Fall, so we created a new prototype for Gamescom. We had a cool dev team, we wanted to give the game another chance, but we just couldn’t make Seasons after Fall alone.
Focus Home Interactive is the partner we needed: great games, great team, great trust.

Let me tell you this, and this is not a coded message: the fox is in good hands.

Ahoy there, long time no see! I’m Ben the Programmer, back for another tech fix.

Here’s a quick timelapse to show off our brand new animation pipeline.
Note that this animation has been made by Paul Clarissou, our almighty animator intern.

What we have here basically, is a classic puppet rig: a skeleton with various sprites attached to the bones, except these sprites can be attached to multiple bones and be deformed accordingly.
The concept is very similar to the animation tool that was used on Rayman Origins and Rayman Legends (and later Child of Light, I suppose, except they went 3D for their main character).

This type of sprite is called a patch (think of it like this: if a Bezier curve is a line, a Bezier patch is a surface).
Patches are trivial to setup compared to 3D rig with vertex weights etc, and (most of the time) get twisted in a pleasing, organic way, which is perfect for the look we aim for in Seasons After Fall.

What’s also nice about 2D rigs is that, when you want a different pose, or when a patch get twisted too much, it’s super easy to swap it for another one more appropriate for the pose. All it takes is a talented artist to draw it (which we have), and it’s much faster to do than 3D modelling, painting, etc… sprites are cheap!

Lastly, it’s possible that we might need flip-book animations on some patches, like sub-animations for only a certain body part, like they used for example on Broken Age (mostly for the characters faces). While our editor doesn’t really support it elegantly right now, the system makes it totally feasible.

For this tool, we tried to build as much as possible upon Unity‘s existing animation features: the animation timeline with its dope sheet and curve views, and Mecanim controllers for blending (not shown here, but we already use it for the main character).
While we evaluated some third-party solutions, some in-Unity but based on vertex-skinning (basically 3D rigs flattened to 2D: yuck!), others using external tools with importers etc.
I felt it was important to have the animation in-engine to have true WYSIWYG, prevent artifacts like “oh well it looks fine in the tool but in the engine the characters’ sitting on his head and his elbows are broken” (always fun to debug, those!), be able to apply real in-game materials and effects, etc.

Also, having custom animation format would mean not being able to use Unity’s blending, and I wanted to give Mecanim a chance. So far I’m not sure I’m a 100% in love with Mecanim, we’ll see as we use it more, but if it comes to that we can always fallback to legacy. That’s a story for another technical post I suppose!

Oh and we also reused our Photoshop pipeline to make it a breeze to import complete PSD layouts and seamlessly convert layers to sprites, then patches, keeping their relative position and draw order.

See you in the comments or on Twitter @benblo42 if you have questions or whatever!